Taken by Max Sharp
Bacon Ball 2013 presented by The Louisville Visual Art Association [Photo Gallery]
Get Out with Louisville Locals – Will Russel [Interview]
Will Russell was born in Louisville and, according to him, has never left. Unless you count traveling the country several times a year to celebrate all that is the cult-favorite Coen Brothers film “The Big Lebowski” with a fanbase that grows larger and larger, faster and faster, every month. Russell, co-founder of the Lebowski Fest, an ever-growing celebration of the film that has existed since 2002, basically made the movie a cult hit. He continues to add to the diverse oddity that is the River City, pushing for the foundation of a festival based on Pee Wee Herman, as well as officially qualifying as a Roadside America attraction with the opening of his second WHY Louisville store, a retail space in both the Highlands and Nulu that celebrates odd souvenirs dominated by local artists.
After showing me a fake back alley-dealt Rolex he bought during his recent trip to NYC for Lebowski Fest (that seemed to stop working while he was displaying it with pride), Russell took the time to talk with me on a wintry spring day this week.
GetOutLouisville.com: What came first: Lebowski Fest or WHY Louisville?
Will Russell: Lebowski Fest came first. That was in 2002. In 2005, I opened WHY Louisville. The name WHY Louisville came from a line in “The Big Lebowski,” or a phrase in the movie, “What have you.” The WHY in WHY Louisville stands for “What have you”…When people would come to Louisville for Lebowski Fest, people would say, ‘“The Big Lebowski” is set in Los Angeles. Why is it in Louisville?” I realized I was surrounded by all these creative people doing creative projects…but there was no central store for that.
The concept of WHY Louisville was to be like a hub for the creative culture in Louisville and to help support local artists and showcase the creative culture in town. To help fight against the stereotype in Kentucky that there’s no culture here. It’s a way to show off the creativity in the city. It’s also a more accessible form of art, because not everyone can afford a $500 painting, but they can afford an $18 t-shirt. The artists get paid for the shirts and they get promoted through the store. Our unofficial slogan is “souvenirs that don’t suck”…
We opened the first store in 2005 in this little shitty place that had an air conditioner out front that dripped on people when they walked in…We moved down the block in April 2009 and we opened a screenprint shop in the back…Just a bigger space and much more visible…and this year in March we opened up our second store down in Nulu…
GOL: That was my second question. Why did you decide to open a second location in Nulu?
Will: I never wanted to open a second store, first of all. I’m not that ambitious, really. Running a store is a lot of hard work and I felt like I had my hands full with one store. But, I like Nulu, I lived in Butchertown for ten years, I thought I’d like to be a part of it…Since it was so nice and I already had the inventory and it was so easy, I was able to invest in some interesting things…We got a funhouse mirror from Fontaine Ferry Park, we’ve got a Fontaine Ferry ticket booth that’s our dressing room, we’ve got a big carnival wheel here and we give away prizes and we got Bonnie Prince Billy to donate his flip-flop for the flapper on the wheel. We’ve got a pony ride for a quarter. And the wax Colonel Sanders, which is terrifying.
GOL: It’s like a weird little museum.
Will: Yeah. I’ve been obsessed with roadside attractions since I was 17. Ever since I went to the Mystery Hole in Hawk’s Nest, West Virginia, I decided, “This is cool; I would love to one day one a roadside attraction.” That’s what started the whole Kentucky Rushmore madness. I was going to build this giant mountain in Cave City with Abe Lincoln and Colonel Sanders and Muhammad Ali and a horse head. It turned out to be this five million dollar project. That failed. But I submitted this place and they approved it. That was a big deal, and we just finished a mural over at the Highlands WHY Louisville store of Kentucky Rushmore, so I’m happy with that. It’s now a thing…and just before you got here I submitted it to Roadside America…
So, we’ve got big plans for the Colonel [wax model]. That Colonel is actually from Cave City, a place called the Wandering Woods…[The Colonel] is very lifelike. It has human hair and apparently one of the Colonel’s original suits. For the eight year anniversary of the WHY Louisville store on June 22 we’re going to do an event called the March of the Colonels. We’ve procured a hoverround…a motorized scooter…we’ve got LV 1, the hacker group, to modify a hoverround. We’re going to set the Colonel up in a hoverround and buckle him up and someone is going to remote control power him to lead a pack of Kentucky colonels in white suits with string ties…We’re going to do that on the pedestrian bridge, June 22.
GOL.com: Lebowski Fest: what’s the future of that?
Will: Who knows, man? The thing’s been going on since 2002. The first one was done on a lark. We didn’t even think it would be as big as it was; we thought 20 of our friends would show up and 150 people came out. The next year SPIN Magazine wrote about it…and then all of a sudden 1200 people were there and LA Times was there. It just exploded, and we started traveling with it. We’ve done over 50 Lebowski Fests in over 25 cities and overseas in the last 11 years. The next one is the 12th annual in Louisville on July 19-20. We’ve got the Kyle Gass Band…We’re gonna go to Canada this year.
So the future of Lebowski Fest: I think it’s gonna go on and on and on. It’s just weird enough that I think it’s gonna keep going. We just did one in New York this weekend and we did one in LA last month. Jack Black showed up dressed as Evil Knieval singing Elvis. It was nice. The fan base continues to grow…I think there’s new generations of fans when they see the movie. They go to college, they get high and they watch “The Big Lebowski” and the love it and think “oh, go to the Lebowski Fest.” You know, it’s fun…it’s a different kind of event than a lot of events like your typical concert…At Lebowski Fest, the fans are the stars of the show. I don’t do anything, really. I book the venues and open the doors and the fans bring the party. It’s their costumes and creativity and energy that really drives the event….it’s just a great community…The Facebook page has almost doubled in just the last four months…The film is like your favorite album. It doesn’t matter that you know what is going to happen next; you just can’t wait to see the Dude drop the roach and crash the car.
GOL.com: What about Pee Wee Over Louisville? This the first year for that, right?
Will: Pee Wee Over Louisville. This is an idea I’ve had for years. That’s my second favorite movie of all time, “Pee Wee’s Big Adventure”…My aesthetic was very highly influenced by “Pee Wee’s Playhouse.” All of this carnival stuff going on in here, that’s all derivative of “Pee Wee’s Playhouse.”
The idea was launched in December when my daughter Stella was born. It was a combination of her being born –she kind of ignited a lot of joy and love and inspiration in me – and then I saw the documentary “Beauty is Embarassing” with Wayne White, who designed and created and voiced a lot of the puppets in “Pee Wee’s Playhouse.”
GOL.com: OK, I didn’t know about this.
Will: Yeah, it’s so good….Wayne White is part of the legend that is “Pee Wee’s Playhouse.” It’s a really inspirational documentary. So seeing that, I said, “This is cool, I love this guy, now is the time.” I decided Pee Wee Over Louisville would be my daughter Stella’s one year birthday party. So it’s going to be in September.
I reached out to Paul Reubens initially, and his manager and his publicist, booking agent, personal assistant, nothing. Didn’t hear anything back. Didn’t know what was going on. About a month ago, Paul Reubens calls the Lebowski office…So I rushed to the phone and I checked the message and called the number back and then I realized that the message had been left nine days earlier. I didn’t get to talk to him, but I did get to talk to his business manager. Unfortunately, Pee Wee is currently closing a deal on some network television show involving the Pee Wee Herman character, and his contract is super-prohibitive. He can’t license the character, he can’t license reruns of the show…So, it sounds like, maybe, Pee Wee Over Louisville may not happen. They might shut it down.
I’ve got a call set up today to do something. We may end up changing the name to Louisville’s Big Adventure, and it’s gonna be marching bands playing the score. Squallis Puppeteers are doing Pee Wee’s puppets; bike parade; we just registered with Guinness [Book of Records] to try and set the world record for the most Pee Wees dancing to “Tequila,” which I think we should be able to get since the current record is one Pee Wee. Costume contests. A screening of the film. This will all be in Tyler Park September 7. It’s all set…It may not happen, but I’m trying to work it out. I want to see it happen. I’m not doing this as a money-maker; I’m doing this for my daughter’s birthday, and I’m doing this because I think the fans really want it… When Pee Wee was popular, Pee Wee was everywhere…and then all of sudden Pee Wee was gone. Toys were pulled from shelf. You weren’t allowed to talk about him or like him. It was like he got ripped away from the fans…I think there’s a real need in the fan community to celebrate this and to reconcile that terrible separation that happened with all the fans…
And I like to watch fan culture come to life. I got to see that with Lebowski Fest and it’s been marvelous. The fans are really creative and they come in costumes and I want to see what happens, and I think Paul Reubens would enjoy seeing this, as well. All of these things are possible and they can be amazing.
GOL.com: How has the birth of your daughter impacted your goals and all of this stuff that’s going on?
Will: Well, somehow, it’s made me more productive. When you have a newborn, you’ve got to be on your game. There’s no shutting down. It has made me more productive, more efficient, way more happy. It’s enriched my life in ways that words could never describe…I love it. I love being a dad. And in that time we’ve opened a second store, launched a new festival, I took over Lebowski Fest…I wrote my memoirs…Ray of sunshine. She’s really cute. Cutest baby ever.
GOL.com: What do you think about the future of Louisville and where do you think the town’s headed?
Will: Louisville is fucking on fire. There’s this renaissance going on.
GOL.com: I kinda feel that way about it, too.
Will: I don’t know why. I think Nulu has something to do with it…For some reason the national media has really taken to Nulu: Please and Thank You is in “Martha Stewart Living,” the barbershop [Market Street Barbers] is in “Esquire”…there just something. And the national media and all the tastemaker publications really like Louisville. It’s this sleepy southern town that has the Derby and all these great restaurants here and, of course, bourbon, which they think is great. The spotlight seems to be on Louisville and I’ve always noticed that Louisville has the weird thing that nothing seems to get any real recognition unless something outside of Louisville recognizes it. My Morning Jacket, nobody gave a shit. Then “Rolling Stone” started talking about My Morning Jacket and suddenly we give a shit. Same thing with Lebowski Fest. Nobody gave a shit, and then “SPIN Magazine” and it’s always been like that. I think we’re on track with an Austin or a Portland…We’re similar to Austin in that we’re a more progressive culture in a very conservative state…Yeah, we’ve got it going on.
Written by Brian Manley / Photos by Shawn Price
Highlands Spring Beer Festival [Ticket Giveaway]
UPDATE* This Contest has Ended and the Winner has been notified. Thanks to all those that entered!
• We are giving away a Pair of Tickets to this year’s Highlands Spring Beer Festival 2013 at ValuMarket (inside Mid City Mall) on May 18th 2013 (5pm – 9pm)!
• To enter: Please leave a comment below telling us, one beer you hope they serve at the Highlands Spring Beer Festival.
• When leaving a comment you MUST be logged into your personal Facebook account or use a valid email address (This info is only used to contact the winner).
• Complete Contest Rules: Must be 21 years of age or older to enter. This contest will end Wednesday May 15th, at Noon EST. The winner will be chosen at random and contacted through Facebook or email. The winner will need to respond within 8 hours of receiving message to claim tickets. If winner does not respond, another winner will be chosen.
• This giveaway is sponsored by the great folks at ValuMarket and Simply PR
• If you have any questions please contact us at info@getoutlouisville.com
• Finds Complete Event Info (HERE)
Bacon Ball 2013 [Ticket Giveaway]
UPDATE* This Contest has Ended and the Winner has been notified. Thanks to all those that entered!
• We are giving away a Pair of Tickets to this year’s Bacon Ball 2013 presented by Louisville Visual Art Association at Oxmoor Farm (720 Oxmoor Ave. 40222) on May 18th 2013 (7pm – 10pm)!
• To enter: Please leave a comment below telling us, one of your favorite bacon dishes (and yes bacon by itself counts!)
• When leaving a comment you MUST be logged into your personal Facebook account or use a valid email address (This info is only used to contact the winner).
• Complete Contest Rules: Must be 18 years of age or older to enter. This contest will end Friday May 17th, at Noon EST. The winner will be chosen at random and contacted through Facebook or email. The winner will need to respond within 6 hours of receiving message to claim tickets. If winner does not respond, another winner will be chosen.
• This giveaway is sponsored by the great folks at Louisville Visual Art Association
• If you have any questions please contact us at info@getoutlouisville.com
• Finds Complete Event Info (HERE)
2013 Back Porch Sessions at Rye
The Back Porch Sessions are back for another year of great live music. The Back Porch Sessions are a Free Summer Concert Series intending to expose local artists and create a place for the community to gather around food and music. Happening Once Monthly on the Third Thursday, from May – September, the Back Porch Sessions take place in the Parking Lot of Rye (900 East Market St. 40206).
View Complete Schedule (Check back closer to event date for updated info)
May 16, 2013 - The Pass, Jalin Roze, and Special Guest T.B.A.
June 13, 2013 - A Lion Named Roar, Secret Colours, Special Guest T.B.A.
July 18, 2013 – Discount Guns and Special Guest T.B.A.
August 15, 2013 – Whistle Peak and Special Guest T.B.A.
September 19, 2013 - To Be Announced
All Info Via – www.backporchsessions.com
Paperhaus [Interview]
Paperhaus started in a basement in the suburbs of Washington, DC, where guitarists Alex Tebeleff and Eduardo Rivera spent their teenage years playing music together with ears buzzing from Radiohead, Television, and Fela Kuti. Miles away in Philadelphia, the dissonant vibrato of drummer Brandon Moses howled over distorted blues, while bassist John Di Lascio’s three drunken years playing absurdist prog-pop in shady Japanese yakuza bars were winding down.
Paperhaus released its alt-country styled self-titled EP in 2011, and will release its second effort, an EP entitled Lo Hi Lo on May 28th, 2013. Lo Hi Lo was recorded at DC’s legendary Inner Ear studios with producer Ivan Basuri, and reflects the more pop side of Paperhaus’ psychedelic music. A full-length LP of more blues and funk influenced psychedelic music is already in the works and will be released in 2014. You can hear songs from all the different sides of Paperhaus’ music at one of Paperhaus’ many live shows this spring as they embark on a two-month national tour.
Paperhaus will be playing Live at Tim Faulkner Gallery in Louisville KY, on May 14 (Show Info) … Continue reading below for interview:
GetOutLouisville.com: When and how was the band formed?
Paperhaus: Paperhaus in it’s current form was formed 2 and a half years ago in Washington, DC, though Alex Tebeleff and Eduardo Rivera have been playing together for 12 years in various forms of the band. We started playing at Brandon’s space in Gold Leaf Studios in downtown DC, and the project has just continued to change styles and gain momentum throughout the course of the project.
GetOutLouisville.com: What does the band name “Paperhaus” mean?
Paperhaus: Paperhaus is taken from the song ‘Paperhouse’ by the band CAN. They are a band we have taken particular inspiration from, and have drawn comparisons too at times, which I personally wouldn’t complain about! They were incredibly original and spiritual musicians, and their music only seems to get more interesting with time. I can only hope we can make music with that kind of unconscious expression and lasting cultural impact.
GetOutLouisville.com: Describe your sound for someone that hasn’t heard your music?
Paperhaus: Our sound is really diverse, and certainly for people with diverse tastes.
GetOutLouisville.com: What genre of music do you think you fall under, it any at all?
Paperhaus: We get compared a lot to Talking Heads, CAN, Nick Cave & The Bad Seeds, Real Estate, Fela Kuti, and Television. These are all bands that we have consistently been told by people that we sound like on this tour! Pretty strange considering how different all these bands are, but luckily we love all of them.
GetOutLouisville.com: What does the album title “Lo Hi Lo” mean?
Paperhaus: Lo Hi Lo is a line from the song “Twisted Tumbled”.
GetOutLouisville.com: What were some the inspirations behind the song writing?
Paperhaus: The album really reflects what are lives have been like living with each other and trying to pursue music and putting on house shows. It’s been really hard work and exhausting but also extremely fulfilling.
GetOutLouisville.com: What are you hopping people take away after listening to it?
Paperhaus: I hope people feel really good listening to the record, the music is spiritual therapy for us, and I hope the unconscious aspects people really take with them and allow them to really connect with the music.
GetOutLouisville.com: What can people expect at your live show?
Paperhaus: Our live show is really fantastic, I’m extremely proud of what we do on stage. Both the songs and performances are really dynamic, and the diversity of the band is really expressed best in the live show. You will definitely be taken for a really fun creative and spiritual ride if you let yourself really listen.
GetOutLouisville.com: Besides touring, what else can your fans expect from you in 2013?
Paperhaus: After the tour is over, we are going to record a double A-side single that we plan on releasing to vinyl, and we will be recording our first full length LP as a band this summer too. The double single should come out in the fall, and the album will likely be released in 2014, when we plan to really start touring full time!
Mark Charles Heidinger of Vandaveer [Interview]
Vandaveer is the song-singing, record-making, globetrotting project penned and put forth by folk-pop tunesmith Mark Charles Heidinger. Borned in cloudy Ohio, raised in Kentucky, and currently camped out in the nation’s capital, Vandaveer offers up melodic Americana that is both haunting and easy, forlorn and welcoming, with stories as universal as the songs they inhabit. Vandaveer shapeshifts from stage to studio and back with a host of revolving characters, most prominent among them Rose Guerin, offering up the loveliest harmonies heard this side of Eden.
“Oh, Willie, Please…” finds the group operating in a more collaborative spirit. In addition to the core duo of Mark Charles Heidinger and Rose Guerin, the talents of J. Tom Hnatow and Phillips Saylor helped expand the project into a formidable ensemble, armed with steel string, resonator and pedal steel guitars, banjos and pianos, voices galore, and a common belief in the quality and relevance of the word ‘folk.’
Vandaveer brings their live show to Uncle Slayton’s, in Louisville KY, on May 22nd, 2013… Find complete show info (HERE)
GetOutLouisville.com: How was the band formed?
Mark Heidinger: Vandaveer happened the way most bands do — quite haphazardly. No game plan or master strategy, just a handful of songs and fuzzy idea where to take them.
GetOutLouisville.com: What meaning (if any) does the band name have?
Mark Heidinger: Vandaveer is a family name on my dad’s side. Many generations ago it was surname. Then it became a middle name. Now it is a band name.
Vandaveer “Pretty Polly” 
GetOutLouisville.com: Your bio describes the band as “Alternative Folk”, this genre seems to be very popular these days – how do you plan on making an impact in an all ready heavily crowded genre?
Mark Heidinger: First you start with ripples, then you work on the waves. We’ve been doing this since 2006, so I don’t feel like we’re jumping into new terrain here.
GetOutLouisville.com: Your next album is titled “Oh, Willie, Please”, what does the title mean?
Mark Heidinger: That’s actually a lyric in “Banks Of The Ohio,” the first song on the album. In the murder ballad tradition, there’s usually a villain. And more often than not, that feller’s name is Willie. He had quite the reputation, now didn’t he?
GetOutLouisville.com: What were some inspirations behind the song writing?
Mark Heidinger’s: We didn’t write any of these songs — they’re all traditional folk songs from the public domain (except for “Poor Edward.” That’s a Tom Waits tune.). While we didn’t pen any of these songs, we certainly were inspired by them. We’ve long been lovers of what we loosely call folk music. It just felt like a good idea to circle around and have a go at some of the heavyweights. Fuzzy ideas usually lead the way.
GetOutLouisville.com: What are you hopping people take away after listening to the album?
Mark Heidinger’s: I hope folks enjoy it, if you can enjoy an entire collection of morbid tales start to finish. Some of these tunes are hundreds of years old, so they’ve been enjoyed for some time now. Folk music is about sharing and telling, responding and retelling, and I think that’s what we aimed to do with this album.
GetOutLouisville.com: Who are some other bands/artists that influenced your career?
Mark Heidinger’s: I grew up in the ’80s in central Kentucky, so I was a child of MTV and commercial radio. As a kid my favorites were Michael Jackson and Weird Al. It splintered into a thousand different directions since then. Right now I’m really enjoying Mark Kozelek’s Sun Kil Moon recordings. Phosphorescent’s newest release, Muchacho, is outstanding. I think I’m probably influenced by something or other every single day.
Vandaveer “Beat, Beat, My Heart” 
GetOutLouisville.com: What can people expect at your live show?
Mark Heidinger: A darn good time, I hope.
GetOutLouisville.com: Besides touring what else are you working on in 2013?
Mark Heidinger: We’re fast & furious at work on LP #5. This one’s a collection of original tunes, quite different from Oh, Willie, Please. Gotta keep the wheels turning. Time ticks, and it only moves in one direction.
Emily Wells [Interview]
Emily Wells has been hailed for her multi-instrumental ambidexterity, a symphonic embroidering of swirling strings, ingenious electronics, and intricate, irresistible beats, sewn together with celestial vocals and deeply personal song-craft. Her new Mama Acoustic Recordings, out June 11th, sees the NYC-based singer/musician/producer casting it all aside, re-imagining songs first heard on 2012’s acclaimed Partisan Records debut, Mama . Where that collection was marked by Wells‘ extraordinary fusion of hip hop, experimental dance music, lyrical introspection, and classical complexity, the new album is stunningly austere, recorded solely with voice and guitar. With Mama Acoustic Recordings, Emily Wells has stripped off her own armor, leaving only her crystalline voice and equally unambiguous songwriting on display.
Emily will be playing a show at Zanzabar in Louisville KY, May 12, 2013 find complete show (HERE)
Continue reading below for our exclusive interview:
GetOutLouisville.com: With your mother being a music teacher, do you think you were destined to be a musician yourself?
Emily Wells: While my mom did teach music here and there and her love of music and dedication to my musical education certainly shaped my fate, it is actually my father who’s career has been in music. For the whole of my childhood he was a music minister in two large churches in Texas and Indiana. His real love though, has always been the french horn, for which he holds a masters and has taught and played in ensembles and orchestras though out his life. Growing up in a musical family just made music a part of life, not something that you dream of doing or hope to do, but just something that you do.
GetOutLouisville.com: You play a very wide range of different instruments, if you had to pick one to play for the rest of your life – which one are you choosing and why?
Emily Wells: I think I would choose the piano, though I’m not a pianist by any means. I think I have the most room to grow on this instrument and so many works have been written for it. It’s also percussive and wide ranging.
GetOutLouisville.com: (I’m sure you’ve been asked this a million+ time but….) Your latest album is titled Mama, what special meaning does that title hold?
Emily Wells: There’s a lot of weight tied to this word for us all. As children, as mothers, and also in a backwoods mama sort of way this word kept coming into my lyrics. While not all of the songs involve mothers, or my mother, this word kept coming into the songs, some of which are more lullaby than they appear on first listen.
GetOutLouisville.com: What were some influences behind the album?
Emily Wells: I would say the place i was living at the time, a tiny cabin, secluded on a horse ranch in Topanga Canyon, CA had a big influence on the record, and Los Angeles in general. These songs were born there and so they’re imbued with a certain light. As for literal influences, well I was listening to an album called Viva Zimbabwe from the early 80s and an old Hawaiian album nearly every day when i was making it. Of course there’s always Bob Dylan.
GetOutLouisville.com: I read on Wiki that you released a cassette tape at age 13, is this true? If so, tell me about what drove you to create and release your own music at such a young age.
Emily Wells: Precocious Naivety? Curiosity? My big brother was in a band, and always five years ahead of me. They’d made a tape, and I adored him, wanted to immulate him, so I did it too.
GetOutLouisville.com: On Afterellen.com you gave an interview a few years back and you mentioned that you always wear a lucky pair of socks on stage. You still wearing those socks on stage? And have you picked up any new “lucky charms”?
Emily Wells: The socks are no more, but I do have some charms. On a solo journey a few years ago to Joshua Tree, CA (actually the trip I wrote both Dirty Sneakers and Underwear and Whiskey and Rags on) I found a small brass bell which I place on my stage table and occasionally use. Sometimes someone will give me something, like a stone or a small item of luck that i’ll keep on the table for one show, or one tour. Less for luck and more for practicality, I always wear the same shoes on stage. Because I have to do so much with my feet it’s important for my shoes to remain consistent. Like an organist!
GetOutLouisville.com: You’re known for integrating classical music with hip-hop. Tell us a little about the creative process for you when it comes to creating new music.
Emily Wells: This is true, that I’m in part known for this, but I hope that this way of describing my music will fade. While these are two big influences for me, I don’t think of myself in these terms and the music on “Mama” and my next record are quite far from that description. That aside, my creative process varies from record to record. Symphonies for instance began with string arrangements composed on the violin. Sometimes I set up rules and parameters for myself, like the acoustic record was recorded to tape with nothing but guitar and voice. “Mama” came from many beginnings, sometimes a sample created with various instruments using the loop pedal, sometimes a simple synth line a ukelele, a guitar. Lately the compositions are becoming more complex as i’ve integrated a new piece, a sample pad, into my set up and writing process. These are all the mechanics… the concepts come from my life, from moments I observe, from loss, from existential wanderings of the heart.. (I say this with a smile, but I’m serious too).
GetOutLouisville.com: Besides listening to your music of course, who are some bands and artists you’re listening to right now?
Emily Wells: In the last couple of weeks my playlists include: Nursat Fateh Ali Khan, Rockie Fresh, First Aid Kit, James Blake, and Tinariwen. And when I’m home and have my records, a lot of African music compilations, like this one Saharan Cell phones, and a band called Witch. (I’ve) also been listening to the blues a lot.
GetOutLouisville.com: What can people expect at you live show?
Emily Wells: Seeing a woman playing a several instruments including drums, violin, keys, and singing. And then trying to make you forget that she’s doing all that and for you to just be moved and inside the songs.
GetOutLouisville.com: What’s next for you? Any projects outside of music?
Emily Wells: It seems touring touring touring. Going to Europe and exploring new parts of the world on tour, and in general. I’m unofficially training for some sort of race. Is it a marathon? A half? I’m not sure, but i’m running A LOT and love it.
GetOutLouisville.com: Any special message you would like to deliver to the folks in Louisville?
Emily Wells: Well, Louisville holds a very special place in my heart. My grandparents lived there for many years and I still have family there. My grandma moved to Denver, but my grandfather passed away while living in Louisville. I know this sounds like a dreary message, but the point is, it was the last home of one of the most kind, intelligent, remarkable people I’ve known. I’ve never performed in Louisville, so I will be toasting each of you and my grandpa too next week when i finally have the honor.
Ferdinand Ball 2013 [Photo Gallery]
Photos taken at the 2013 Ferdinand Ball…
The Derby Gala Ferdinand Ball was found by two sisters, Kim Boyle and Aimee Boyle Wulfeck, in honor of Ferdinand, the 1986 Kentucky Derby Winner and 1987 Horse of the Year. After retiring Ferdinand was sent to stud in Japan and, following his stud career, ended up in a slaughterhouse, which spurred an international outcry. The beneficiary this year was Old Friends Equine Retirement Facility, which provides housing for currently 126 retired horses.
Downs After Dark – Opening Night [Photo Gallery]
Kentucky Derby Festival Events [Photo Galleries]
TheSlice : Spice, Style and Soul… Taken April 27th, 2013 by J.Mack
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Great Balloon Glow… Taken April 26th, 2013 by J.Mack
Taylor Burns of The Wild Feathers [Interview]
Ricky, Joel, Taylor and Preston were all lead singers before they came together as The Wild Feathers, fronting their own bands and writing songs with their own distinct sounds. All hailing from Texas with the exception of Joel (Oklahoma), each member grew up with a deep sense of southern musical traditions, while at the same time being raised on records like Led Zeppelin, Neil Young and Tom Petty. As kids, their moms played them the Rolling Stones instead of lullabies, literally and figuratively rocking them to sleep.
Continue reading below for our exclusive interview with guitarist Taylor Burns:
GetOutLouisville.com: What were some of your early musical influences?
Taylor Burns: For me personally Black Crows, Willey Nelson, and many more those are just a few that come to mind.
GetOutLouisville.com: How were you introduced to your other band-mates in Wild Feathers?
Taylor Burns: I actually met Joe (King) and Ricky (Young) through a mutual friend, who knew they were trying to put a band together. So the three of us got to talking, made a couple songs together and next thing I know we’re in a studio recording an album.
GetOutLouisville.com: The first single off the band’s self-tilted album is Backwoods Company. What was the inspiration behind the song and what was the experience like filming the video?
Taylor Burns: It was the first video I ever shot. It was really fun and cool. A little story behind the song is, we wrote it in Pigeon Forge while being held up in a cabin for about three weeks last winter. So I guess it was just some the imagery and some thing that were around us that steered the song in that direction.
The Wild Feathers “Backwoods Company” 
GetOutLouisville.com: What were you doing before you joined the Wild Feathers? Were you in any other bands?
Taylor Burns: Yes I had a band in Austin (TX) called Double Dog that was just kind of getting started when I met the guys, but I’ve been playing in bands since I was 15 or 16.
GetOutLouisville.com: At what age did you know you wanted to be a musician?
Taylor Burns: When I was 15 I really started to dig in more. I definitely had some moments of doubt and pain when I thought this is a tough life and will I be able to support myself. Lucky this thing came through and I see the light at the end of the tunnel.
GetOutLouisville.com: What is the experience like performing on the same stage as Bob Dylan?
Taylor Burns: It is a complete dream come true. We all talked how it is something you dream of, but never really think will happen. We are all so heavily influenced by Bob Dylan and he is such a music legend and cultural icon that it is hard to imagine that we will be sharing a stage with him. I do not think it will set in with any of us, until we are rolling in town and we are watching him do sound check. It is a very humbling experience and a complete honor to share the stage with him.
Umphrey’s McGee and STS9
Date: Thursday, August 15th, 2013
Time: 7:30pm
Location: The Louisville Palace, 625 S. 4th Street 40202
Price: $35 Advanced / $40 Day of Show (Reserved Seating) + Additional fees added to all tickets at time of purchase
Purchase Tickets: www.Livenation.com, 1(800)745-3000, All Ticketmaster Locations find one (HERE), Louisville Palace Box Office, at Event Door
More Details: Tickets go on Friday, May 3rd at Noon EST… This Concert is produced by Sherpa Concerts , Square Peg Concerts Presents, Live Nation
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